I’ve already delved into why A GOOFY MOVIE is one of the most important films of my childhood, and ever. So instead, I’ll talk about how I bastardized another one of my youthful favorites, when a group of friends watched the 1995 Disney classic A GOOFY MOVIE over far too many beers. This one came after FLUBBER, so we already weren’t on our right minds.

But first, a little unnecessary background. A GOOFY MOVIE was Kevin Lima’s directorial debut. He parlayed the job into three other big Disney films, including TARZAN, 102 DALMATIANS and most recently, ENCHANTED, permanently etching his name in the annals of the Disney greats. That’s definitely hyperbole, but whatever.

Bobby Brown, yes that Bobby Brown, was the original choice for Powerline, the hip young pop star that Max Goof emulates and is essentially an unholy amalgamation of Michael Jackson and Prince. Because of his drug problems, he was replaced by Tevin Campbell, whoever that is.

A GOOFY MOVIE features the last role from the late, great Pat Buttram, as the Possum Park Emcee, a small role that proved unforgettable/disturbing to me as a child. The Possum Park is wholly horrifying. Evidence:

Pat Buttram was one of the great relics from Hollywood’s golden age of Western obsession, a night permanent fixture beside Gene Autry, and appearing on the ED SULLIVAN SHOW frequently to perform stand-up. He also was on GREEN ACRES and a slew of other shows that your grandparents adored. But due to his indelible voice, he made his mark on Disney, performing in FOX AND THE HOUND, THE RESCUERS, ROBIN HOOD and THE ARISTOCATS, among others. He also had minor roles in WHO FRAMED ROGER RABBIT and BACK TO THE FUTURE III. In other words, he’s incredible. Pat is the saloon old-timer on the right in this clip.

There’s not much else to say about Bill Farmer, the titan of voice acting, than to say no one else can voice Goofy like he can. A GOOFY MOVIE gave him the spotlight he deserved, and he didn’t disappoint. The film also has Wallace Shawn of PRINCESS BRIDE fame, Julie Brown (THE MIDDLE) and one of the original Disney Channel stars Joey Lawrence (BROTHERLY LOVE).

Finally, Roxanne is one of the sexiest Disney love interests ever, perhaps topping the list of non-princesses.

Seriously.

The film also has plenty of opportunities to drink, so have at the rules. As always, stay safe, don’t drink and drive, and don’t be an idiot.

RULES

1. Whenever Max wishes that he wasn’t with Goofy, or is horrified to become like Goofy, drink.

2. Sip whenever Pete yells at PJ.

3. Drink whenever Goofy laughs and/or falls over. Double it if he does the Goofy holler “ah-ha-ha-hueeeeyyy” noise as he falls to what would be certain death if it wasn’t a cartoon.

4. You must toast whenever Goofy says/yells/a-yuk’s “Maxie”

5. Drink for every song.

6. Waterfall while Bobby Zimmeruski eats the leaning tower of Cheeza. Drink again when you realize Bobby is voiced by PAULY SHORE.

7. Drink for every heartwarming father and son moment.

8. But also drink whenever Maxie is a complete dickhead to his dear ole Dad.

9. Drink every time Max or Goofy use the “Perfect Cast” technique.

10. Every time Roxanne or Max blush, drink.

11. Drink for every time Max accidentally unleashes an “ayuk.”

EXPERT EDITION: Call your Dad after watching A GOOFY MOVIE (whether playing this game or not). If you don’t, drink.

Fan-made and AWESOME.

THE HUNCHBACK OF NOTRE DAME. It seems a little off-beat and strange to think that Joss could direct something as dark and damaging as THOND (don’t make me type it out again, please.) But looking at his previous bodies of work, it actually seems quite fitting. He not only could produce a visually stunning piece of art, but he could really root us inside the story of a disfigured boy who’s trapped and condemned by a vicious judge in the mid-19^th century. What’s more, if told through Frollo’s point of view, I fully believe that Joss has the ability, skill, and drive to provide us with a character so complex and detailed that we would have no choice but to empathize with the man instead of the monster.

I just realized that SKY HIGH and STAR TREK were both filmed at Cal State Northridge’s Oviatt Library. So weird to see your school on the big screen.

SKY HIGH. A little known movie (that was supposed to have 3 sequels that were cancelled due to its unfortunate flop) that carts us around a world where superheroes exist, and teen “supers” go to a high school for superheroes. IN THE SKY. Awesome, awesome concept and with a little touch of Buffy-meets-THE AVENGERS magic, Joss Whedon could have made it an awesome, awesome film.

The ultimate weapon against vampires.

PINOCCHIO. The horror version. THE CABIN IN THE WOODS was Joss’s first feature length horror movie (though Buffy the Vampire Slayer’s S04E10 “Hush” still takes the cake for me) that combined all the elements of story-telling that has made him so popular: fantastical demons, technology you hope never comes to light, and such witty characters you wish he wrote your daily life. Now, imagine Joss Whedon’s horror version of PINOCCHIO. A wooden boy who terrorizes his “father” Geppetto and a small town (or big city?), until he’s finally murdered horribly at the end of the film. (Or not, you never really know with Joss.)

INSPECTOR GADGET. Joss has shown us his love of technological enhancements throughout pretty much all of his works (a few excluded), so it seems only natural that he should want to remake INSPECTOR GADGET. I’d kill for Film Noir Inspector Gadget (and knowing him, genderbent too).

THE SKELETON DANCE was an animated short from the 1920’s where skeletons danced and sang around a graveyard. Imagine THE SKELETON DANCE made in the same vein as DR. HORRIBLE’S SING-ALONG BLOG. Comedic, sweet, clever, and Nathan Fillion.

Jen and Sylvia Soska recreating The Shining’s iconic twinzies.

THE PARENT TRAP. Our top three beloved Scoobie’s all met their doppelganger at some point during Buffy the Vampire Slayer’s seven season run. Willow met her evil, alternate-universe vampire-Willow (S03E09 “The Wish” & S03E16 “Doppelgangland”), Xander met his twin when he was split in two in S05E03 “The Replacement, and even Buffy herself had a twin in the form of BuffyBot (though, a sexbot isn’t quite what I had in mind for THE PARENT TRAP.) Imagine Joss Whedon’s adorable long-lost-twins coming together in order to trap (and kill) their parents as a sacrifice to some ancient God, or whatever other reason you might want to come up with that doesn’t piggyback off CABIN IN THE WOODS. Point is: He would make those of us who don’t have an evil twin very thankful for it, and those of us do, really pissed.

TARZAN. So this one’s a tad odd to be sure. But imagine: live action Tarzan, raised savagely by apes. In the spirit of the original 1918 story, he attacks a village that has settled in the area in revenge (they killed his mama ape) becomes known as “an evil spirit,” and is then hunted by the remaining settlers. How and if Joss chooses to bring in Jane Porter is a question for debate: is this a love story, or a story about our misunderstood hero? At the end of the original tale, Tarzan doesn’t get a happy ending – Jane ends up with another man – and we all know how Joss loves to kill our dreams (read: Firefly) so that part we’ll just leave open ended and always wonder how he might have managed to wrap up Tarzan’s heartbreaking story.

Concept art by Tae Young in Choi, Korea.

ATLANTIS. I’m not really sure this even requires an explanation. Anyone who wouldn’t want to see Joss Whedon’s take on ATLANTIS: THE LOST EMPIRE should die by machete (he provided the story for the animated feature). A mysterious culture that’s been lost undersea for ten thousand years, whose survival is powered by a magical force and protected by a warrior princess? Still not sure why this hasn’t already been made.

Joss will be busy filming and finishing AVENGERS: AGE OF ULTRON for the next year or so, but you can find me sitting in a dark corner of my apartment brooding and blubbering and waiting for the day that he brings my hopes and dreams to life (hopefully not to kill them off or mutilate them horribly) by remaking a Disney film. And really, at this point, any one of them will do. Ancient Gods, please don’t let my Whedon/Disney ship sink, but oh god please do find a new ship name, because Wheney and Jisney are not good.

L-to-R: Rapunzel, Sleeping Beauty, Ariel, Snow White, Pocahontas, Jasmine, Belle, Mulan, Cinderella, Tiana

18. AURORA (SLEEPING BEAUTY)

She had a total of like, 15 minutes of screen time. This lazy ass slept the entire movie. Worst. Adventure. Ever.

17. SNOW WHITE (SNOW WHITE)

I’ll say it, I totally have judging eyes on this one. She seriously just moved in with seven rando dudes she’d never met before? Who is she? But at least she didn’t just nap for an hour, like some other ladies.

16. TIANA (THE PRINCESS AND THE FROG)

So this one surprised me. Tiana, one of our only ethnic Princesses, is also one of the more recent princesses so you’d think she’d be a super strong, kick-ass girl who sends a great message to the young’ns… Except she doesn’t. The entire film is about how dedicating her life to a career isn’t enough – she needs a man, too. That isn’t her fault, sure, but the part where she believes it, is. Boo!

15. ELSA (FROZEN)

I can see the hate mail now, but that doesn’t change the fact that Elsa was not a great role model. Sure, she was raised to be ashamed of herself and hide who and what she was, but she also let her sister die because she was too cowardly to stand up for herself. Shame on her.

14. ARIEL (THE LITTLE MERMAID)

As far as selfish princesses go, Ariel is pretty up there. She gave up her entire family and everyone she loved to be with a dude she just met… Who she didn’t actually meet. For Christ sake, there wasn’t even an introduction. The only reason she isn’t ranked lower is because she had a point: you can’t always make everyone else happy and sometimes you just gotta be you, even if it means you might disappoint others.

13. RAPUNZEL (TANGLED)

She was a dreamer, and a romantic and that’s great. She was also ridiculously naïve and got her boo killed. (Doesn’t matter that she brought him back, that’s not the point here.) I’m kinda split 50/50 on her. I’ll give her props for not giving up on her dream but allowing it to change, and being generally adorable. Also: Pascal.

12. JANE (TARZAN)

Jane may not have been the most interesting character, but she was open to new things and that’s a really important trait in a person. She didn’t understand Tarzan’s world, but that didn’t mean she didn’t want to. She taught him how to speak, and while the argument could be made that she tried to change him (by taking him back to England) she didn’t – in fact it was just the opposite, she realized and accepted that he was from a different world than her, and she was cool with that. Pretty good message of tolerance right there.

11. BELLE (BEAUTY AND THE BEAST)

Again, with the hate mail. Yes, Belle was very smart and book-wormish, encouraging reading and using your imagination… But she also fell in love with a monster who kidnapped her and held her against her will. Yeah ok, she saw the best in him but that doesn’t make up for the major Stockholm Syndrome that came along with her entire experience.

10. CINDERELLA (CINDERELLA)

Yet another princess that fell in love with a man she just met (I’m sensing a theme) but you gotta give it to her – she would not let go of her dreams. She found something she wanted and she found a way to get it. Sure, she could have had more of a spine standing up to her wretched step-sisters, but when your livelihood depends on those freaks do what’s necessary. As far as entertainment value, GusGus was the bomb.

9. MEGARA (HERCULES)

The sass. Sure, she was a baddie for the first portion of the film, but she was also participating in Hades’ schemes against her will and eventually saved Hercules from a falling pillar, sacrificing herself. When Hercules was accepted by the Gods in Olympus, she didn’t ask him to stay with her or give it up for her which is pretty noble (or martyr-ish, depending on your point of view). But either way, the sass.

8. POCAHONTAS (POCAHONTAS)

The only reason she’s number 8 is because we have a lot more to go. She was awesome. Strong, courageous, wise, unafraid to be scared (which is hard work!) and she saved hundreds of lives. Girl power. (Could you imagine her as a Spice Girl? She’d be like, Nature Spice or something, which sounds like a really pleasant cup of tea.)

7. ALICE (ALICE IN WONDERLAND)

The drugs, the curiosity, the adventure. Alice was awesome. There was no prince, no saving necessary, just a girl exploring a world that must have had LSD in its water supply. Alice went with the flow, and yes while she may have gotten frustrated and homesick, she figured it all out her damn self. (With the help of some colorful friends. Literally, colorful. Cheshire Cat, anyone?)

6. JASMINE (ALADDIN)

Eight words: “I am not a prize to be won.”

5. KIDA (ATLANTIS)

A badass [ethnic] princess from a long forgotten underwater kingdom with shocking amounts of wisdom, awesome fighting skills and hair that I would kill to pull off. Kida was not named one of Disney’s Princesses because ATLANTIS was not a musical, but that doesn’t change the fact that she became a goddamn Queen. Quite literally.

4. MERIDA (BRAVE)

Merida is my spirit animal. She’s strong, tough as nails, refuses to be anyone other than herself, a killer archer, and the hair. Only reason she isn’t one of the top three is because she was a bit of a brat to her mom. Sure, teen angst, blah blah blah, but it took mama getting turned into a bear for her to change her attitude. Stubborn lass, she was.

3. ANNA (FROZEN)

Absolutely the most relatable out of all the women on this list. Anna was full of spunk and life, and Kristen Bell was just perfect to voice her. Even after Elsa turned out to be what she was, Anna would not give up on her. She loved Elsa more than she deserved and would have (and did) do anything to protect her sister.

The last two are really tough to rank. On the one hand we have a warrior who, in a time where everyone was bound by honor, men were required to fight for the emperor and women trained to be silent, Mulan wouldn’t have it. She masqueraded as a man to protect her father, and ended up saving an entire country. On the other hand, we have a loyal and compassionate gypsy, the lowest of all in Parisian society who put everyone else before herself. She fought for the less fortunate, the outcasts, and the minorities to be treated equally. Mulan had to fight as a man and ended up changing her place in the world, but Esmeralda chose to fight as herself for everyone else. For that I rank them:

2. MULAN (MULAN)

1. ESMERALDA (THE HUNCHBACK OF NOTRE DAME)

Honestly I’ve got no words of wisdom or closing remarks about this list. It’s always hard to rank your favorites because you want to see the best in them – that’s why they’re your favorites. But admitting their faults and loving them all the same is ok, too. (read: Sound advice in life.)

*Also: Anastasia was not included in this list because she was not Disney, she was 20th Century Fox. Haters.