Over the last week, we’ve been reminiscing about the first X-MEN, what became of the franchise from there, and the importance of the X-MEN comic books. The X-MEN movie and comic franchise

Sira delivered her immediate thoughts on X-MEN: DAYS OF FUTURE PAST last week. Now it’s mine and David’s turn to chat about Bryan Singer’s latest tale of mutant woe, touching on a variety of topics.

Beware, this be as SPOILER-FILLED as X-MEN has continuity holes.

Overall Impressions

David: I was a very big fan of the movie. I thought it hit so many of the right notes, capturing both the bleakness of the future timeline and the urgency of the past. I didn’t like how the plot did some aggressive hand waving to get past the “how” of this time travel occurs — especially since giving Kitty these vague powers was such a departure from, well, any talent Kitty has ever displayed in any medium. But it didn’t impair my overall enjoyment; the mechanics were secondary to the characters themselves, and those were nailed better than perhaps any X-movie ever has.

Andy: I don’t know what it is, because I know Days of Future Past is probably the best X-Men movie to date, but something felt off. Maybe it’s because I had to sit in the front row, or maybe it’s because I’m never truly happy or satisfied. Maybe because it made all other X-movies obsolete. More on that later, but I will say that this felt more like an X-MEN movie than perhaps any of them to date, that Singer managed to juggle two franchises and very nearly tied them together into a bow. The movie had no downtime, was thrilling throughout, and felt epic without necessitating endless scenes of destruction porn normally accompanying such a grand scale in a Hollywood blockbuster.

Thoughts on retconning the entire original trilogy

David: I think I liked it. The various continuity errors that the cinematic X-universe has suffered (and there were many) were never super important to me; I just wanted good stories that made sense within that film; even if, for instance, Charles met Erik a little later in life in First Class than he had said in X-Men. But I still respected the effort this movie made to resolve it all. Most studios wouldn’t have given a shit if there was internal consistency throughout the movies, so at least trying is something I respect, even if I didn’t think it was necessary. And I will still enjoy watching X-Men and X2 even if they officially “never happened”; I might even rest a little easier knowing X3 didn’t.

Andy: It rubbed me the wrong way, even if it’s for the best, and I knew it was coming. It seemed pretty clear that the Days of Future Past time travel element would be used to create a new present and re-write whatever FOX and Brett Ratner did in X3, but I don’t know if I was prepared for how completely they did. The retcon’s execution felt perfectly in the realm of what Marvel would do, and has done, with X-MEN and their characters, so really, it’s one of the most comic book-y things that the franchise has ever done. And by doing so, FOX now has possibly two X-Men franchises going concurrently, with the past-Men starting the X-Men and the school and because the future has changed, a chance to redo the Phoenix Saga (in a way in which Jean survives), and meet a younger Storm (Lupita Nyong’o!), Jean Grey and Scott Summers that have emotional depth and dimension. And the future-men can do whatever the hell we want, should they so choose, giving a chance for Wolverine to lead Iceman, Shadowcat, Colossus, Rogue, Blink, Sunspot, Bishop, Warpath, and whomever to have their moments. I’m happy that X-MEN: THE LAST STAND never happened, but was it so bad that it needed to wipe away every other movie, including The Wolverine, which aside from a crappy ending, was actually a pretty good flick precisely because of the effect Jean Grey’s death had on Logan? In many ways, X-Men was one of the more important movies of my childhood (and in Hollywood history), and now, for all intents and purposes, it doesn’t really exist anymore.

Wolverine’s Expanded Role

David: I was among those who complained a little after the first X-Men that Wolverine had too large of a role at the expense of the rest of the team. But I’ve long since gotten over it. As Andy pointed out in his Autobiography in Movies, Hugh Jackman as Logan was one of the greatest, most inspired casting moves in superhero movie history. And we’re running out of chances to see him nail that role, so why not just accept and enjoy it? Besides, more so than in X-Men, I thought they balanced the movie with plenty of great moments for the supporting cast. There was only one thing that made me regret that Wolvy was the one sent back in time, which I’ll discuss later.

Andy: It would’ve been nice if Kitty could’ve somehow come along for the ride with Wolverine (because if we’re inventing powers, that would’ve been more fun), but since they hadn’t established much of a relationship at all in the movies, that might not have worked. But it could’ve mirrored the relationship between Rogue and Wolverine in the first X-MEN. If Rogue wasn’t so clearly out of the question for many reasons (she’s cured/sucks/it makes no sense), I might’ve wanted to see her make the trip with Wolvy, because their relationship was one of the best and most realistic things we saw in the original trilogy. Anyways, I don’t have any problem with Wolverine being the central focus of the action. That’s just how it’s going to be, and Wolverine is the most fully formed character the entire franchise has, thanks to Hugh Jackman being one of the few consistent elements. It would’ve been supremely effective/badass for him to have died as David mentions. At least him being forced to carry the burden of this alternate future, while not knowing the new past/present, is something that totally fits into the tragic element of Wolverine’s character. Of course Jean Grey is back…and of course Scott Summers is still in the way.

Favorite Character (Major)

David: Magneto, 1973 version. A few ways I could go there, as this was such an incredible, deep cast of actors who nailed their roles. But for the second time, Michael Fassbender just destroyed that role. I don’t think any superhero movie villain has ever so perfectly hit the note of destructive actions while believing himself to be acting justly. Meaning, in short, he WAS Magneto, making us *feel* why he’s one of the best villains in comics history.

Andy: I don’t want to be redundant, because Fassbender’s Magneto is the answer. In what might be the best cast ever, Fassbender delivers the best performance by far (I love that he altered his voice slightly knowing McKellan would be in the film). His decisions are infuriating, maddening and insane, but it’s so Magneto, and so scary to behold, because there’s no greater threat, even next to Sentinels that have wiped out the mutant race in the future. I will say that James McAvoy and Patrick Stewart’s Professor X had more synergy and impact together than the two Magneto’s, not only because they shared a scene together, but I felt like I was witnessing their journey. We didn’t really get to see enough of Ian McKellan’s older Magneto, beyond him watching Kitty Pryde at work (thrilling). I loved his sad and heroic death scene, and his final words regretting his actions…but I don’t know if they quite had the impact that I wanted them too, because I felt a slight disconnect between the two versions of the characters, or didn’t quite believe the transformation, since we hadn’t seen any evidence of it before his last moments.

Favorite Character (Minor)

David: A lot of fans are going Quicksilver here, and not without reason; they nailed him. But I have to say my girl BLINK. Honestly, I had forgotten how much I loved that character until I saw her in live action for the first time. Chinese actress Bingbing Fan had the perfect look, and her action scenes were visually stunning and thrilling.

Andy: Storm! Just kidding. I will go with PietroPeter/Quicksilver in lieu of other options. Most of the other secondary characters just sort of exist and look pretty, or are walking plot devices (Kitty Pryde), but Quicksilver stole the show for the brief few scenes he was in, and gave the festivities much needed brevity (“My Mom knew a guy who could control metal” was simultaneously the best and worst line of the entire movie). I will say that once they found Quicksilver and got him to help…it made no sense not to use him to do everything else in the movie. But I get why that’s not how it worked out, because it would’ve been far easier that way, and all urgency/tension would’ve dissipated. I expect a X-Men: Days of Future Past in the eyes of Quicksilver parody at some point.

Least Favorite Character (Minor)

Andy: Ink, because yes, he was in this movie (and he apparently exists), as the pale white bald dude with what looked like a Phoenix tattoo on his eye. Or it’d be Colossus, because he still looks super fake, and still never gets lines. Plus, I want this to happen at least once.

David: Havok. Not that his 17 seconds of screen time in this movie had anything wrong, but they reminded me how much I disliked him in First Class. The reason I didn’t like First Class as much as a lot of people is because I thought the supporting characters were almost all awful, and I didn’t love seeing any reminder of that.

New Characters

Andy: While Blink was one of the most perfect translations from comic book to movie in terms of appearance and visuals (the portals were glorious), and Bishop was also high up there in those respects, the new mutants (Blink, Bishop, Sunspot and Warpath) were essentially CGI set dressing. Did Sunspot even have a line? They were there to die spectacularly at the beginning and the end. They looked beautiful in doing so, and I honestly have no real problem with it, since the movie was overstuffed as is, but I think it’s still the symptom of what doomed the X-MEN franchise in the first place. It’s so hard to say no to all the mutants, because there are so many awesome ones we want to see, but the impact is lost, or the result is several two dimensional mutants.

David: I can’t really think of any new characters I particularly disliked, or at least any significant ones (Ink was dumb, as you said, but he didn’t matter enough for me to care). I loved the New Mutants group in the future. They may not have been three-dimensional characters, but they weren’t needed/intended to be anything other than awesome action additions. And they looked GREAT. I don’t think the X-movies failings were ever about using too many characters. I think it was always as simple as losing the story at times or relying on two-dimensional characters to be something they weren’t. This movie balanced that better than any of the others by a decent margin.

Biggest Complaint

David: Honestly, it’s fairly minor complaints for me, but there were two things missing from this movie that really would have kicked it up to 11 for me. One would have been a shot in the future of the infamous wall of mutant targets from the cover of X-Men #141 (above), the first part of “Days of Future Past.” Given that it might be the most homaged cover in comics history, I was disappointed it didn’t make it in the movie. Two, the downside of having Wolverine be the one to go back in time, with him waking up in the future being the end of the time travel, was that we didn’t get the most breath-taking moment of the comics story: his death by incineration by a Sentinel. The future deaths we did get were still incredible, but I think that one would have brought the house down.

Andy: The plot was heavy-handed and ridiculous (Kitty’s powers), but I got most of the reasoning behind the choices. 1973 Xavier couldn’t have his powers, because it would’ve been all too easy for him to stop Mystique, Trask or Magneto before the threat ever got out of hand/Magneto got his helmet. The handy serum from Beast didn’t make a ton of sense, but whatever, I dug the drug addiction parallels, and I liked that Xavier was sacrificing his gifts to walk again. It’s such an incredulous decision, but it shows how damaged and withdrawn he’s become.

The Stryker addition was very effective if only for the Wolverine scene and the ending with Mystique, but his involvement with the franchise is so confusing at this point, that I had no idea why he was there, why he was so anti-mutant, etc. We know his motivations have to do with his son, and it also doesn’t really matter in the scheme of Days of Future Past, but I kinda just am over Stryker.

I LOVED everything we got with Jennifer Lawrence and Mystique…and think she’s done wonders in this role. I get that she’s the female Wolverine/Hugh Jackman, in that Mystique has become a huge character because an Oscar winning global phenomenon plays her, but Singer and company have done such a great job of justifying why. It makes so much sense that her DNA is what was used to make the Sentinels so damn formidable (although I guess Morph’s DNA would’ve been more apt), and she was the assassin who killed Senator Kelly in the comics and propelled the alternate future forward. I hated how Xavier treats Mystique in the first film; he deserved to be abandoned, because he treated Raven like a child and lumped her with Havok, Angel and the rest, despite Xavier GROWING UP WITH HER. The second film serves up some retribution to Xavier, while he also finally realizes how big of a dick he was. I love how mercurial Mystique is, that she’s not Magneto’s sex slave or #2, that she’s on her own, with her own motives, making her own decisions, and how dangerous they’ve made her, even as an misunderstood anti-hero. BUT, and this is where the complaint comes in: while Mystique is such an important character in this movie, we get that from Xavier and Magneto’s perspective, and not really her own. Perhaps that’s due to the nature of her powers. After all, it’s really hard to get scenes from her POV; even when she’s the central focus, she primarily looks like someone else. The Magneto/Xavier relationship dynamic is the boon of First Class and this film, and the explosive addition of Mystique into that triangle is brilliant/interesting, especially since she’s not merely a love interest…but I don’t know if her character really stands on her own. We see everyone trying to reach her, trying to get her to do things, and never really get inside her head, or get a moment to see her for who she really is. That’s the mystique of her character, I suppose, but I also think more screen time and focus on her character could’ve made it incredible, and give her heroic choice at the end even more emotional resonance.

Where does the film rank in the X-Men franchise canon?

David: It’s close between X2 and Days of Future Past, and I’ll need to see the latter more than once to say it definitively, but right now, I’m going with Days of Future Past as the best one of all. It so captured the desperation of the X-Men when they’re at their best, the darkness of that world and the greatness of its characters.

Andy: TBD. It could be anywhere from #1 or #4. I don’t even know how I’d rank the other films beside it, but I’m thinking I’d rank it #2 after X2.

How about that post-credits scene?

David: Given that we already knew the title of the next movie is X-Men: Apocalypse, it shouldn’t have had so much effect on me, but my god did it get me excited. Apocalypse, despite some missteps in stories over the years, is still my second-favorite X-villain, and I just cannot freaking wait to see him in action. I thought it was smart to show him as a boy (though he was older in the comics when he came into his own) so we could get a glimpse at our Big Bad while still leaving the real casting open.

Andy: I loved this. It looked rushed CGI-wise, but hearing the En Sabuh Nur chant, and seeing the four horsemen, got me tingly. Before it happened, I joked that perhaps it’d end like Avengers, with a blue guy the general public doesn’t know grinning to the camera. I would’ve laughed, but thankfully that didn’t happen. I can’t wait to see the Apocalypse story set in the 1980’s, and whatever my thoughts on Days of Future Past, there’s no denying that the X-franchise is in as good a position as it’s been since after the first movie. Most of the baggage is jettisoned, and now creativity (and hopefully characterization) can flow. Of course, given the bright X-future we’ve seen and knowing Apocalypse takes place in the 80’s, does that lessen the stakes?

Four Horseman of the Apocalypse Predictions

Andy: Four of the following: Archangel, Mystique, Mr. Sinister, Dark Beast, Banshee (I don’t think we saw his death certificate in Trask’s lair), Havok, Psylocke, Caliban and Domino, in order of likelihood. As long as Toad is nowhere near the running. Hell, maybe young Storm, Jean and Scott will make up three quarters of it (and maybe we’ll figure out how Havok exists). It’d be a helluva way to introduce them.

David: When Apocalypse debuted in the 1980s in X-Factor, he just had four original horsemen without using any prior characters. I think trying to get four “name” horsemen might make things too crowded, or cause the impact to be lessened when Apocalypse does try/force one X-Men to become a Horseman. So I predict we get three generics, with an X-Man becoming Death. And that X-Man will be…well, probably Wolverine, since Jackman is softening on the next Wolvy movie being his last appearance as the character.

Mutant You Most Want to See

Andy: Cable?

David: In order: Young Storm, Mister Sinister, Cable, Shadow King, Nightcrawler (somehow)

Andy: We need a Storm spin-off (again, starring Lupita) in which she takes on Calypso and the Morlocks. Mostly because of that mohawk.

I have so many thoughts on Bryan Singers’ long awaited third installment of the X-Men franchise. Most of these thoughts are fangirling because it finally came into theatres, but there’s a few good thoughts that are actually coherent opinions, so we’ll see how far we get into those before fanbrain takes over. DAYS OF FUTURE PAST took us from a dystopian future where the Sentinels have all but destroyed both mutants and their human allies back to 1973, ten years after the events of FIRST CLASS. James McAvoy’s Xavier takes a serum that helps him walk but blocks his telepathy, Magneto (Michael Fassbender) is locked in a cement prison beneath the pentagon, and young Mystique (Jennifer Lawrence) has gone rogue and is helping mutants escape the clutches of Tyrion—I mean  Trask—I mean Peter Dinklage?—with the intention of murdering him to stop his murder of the mutant race. (Because an eye for an eye is really the best way of solving everything, didn’t you know?) With a glimpse into the future of Sentinels that can evolve and adapt to any mutant power rendering them nearly unstoppable, Future Xavier and Magneto hatch a plan to send Xavier’s consciousness back in time to help change the past and prevent Mystique from murdering Trask and thus putting the sentinel program into overdrive. (It really does take effort to type “Trask” and not “Tyrion.”) However, apparently Logan’s ability to heal makes him the only one physically capable of making the trip (his brain can heal itself when fractured by his future consciousness taking over for his past consciousnss. LOL WAT?) so little Kitty Pryde (a non-monotonous Ellen Page!) uses Rachel Summer’s powers (not sure how she got those) to send Wolvie back to the past (that must have been writer Simon Kinberg’s apology. “Well, we have to send Wolverine back because he’s Wolverine, so let’s change Pryde’s power and storyline and instead of sending her back, let’s just give her the power to send him! Problem solved!”)

Once there, Jimmy/Logan/Wolverine hunts down Xavier who’s wallowing in self-pity and, I’m sure, a quite ripe-smelling mansion while Nicholas Hoult’s Beast takes care of [and coddles] him in his misery. Yadda, yadda, yadda, the plot progresses, fights happen, CGI, speeches, Magneto being a general boss, and J-Law speaking a variety of languages. Here are my high’s and low’s. High: My boo Joss Whedon once said, “Make it dark, make it grim, make it tough, but then, for the love of God, tell a joke.” And oh boy, did Singer and Kinberg nail this one. DOFP was full of emotionally charged characters, all with their own personal stakes in the game, (and the entire future of the mutant race); the film was darker than you might have realized, and almost uncomfortably intimate, but then every so often there was a look, or a joke, or a scene (Quicksilver, I’m looking at you!) that would make you belly laugh. High: And speaking of intimacy, what a nice change from all the world-is-ending-save-New-York-from-the-alien-invasion-oh-no-there-goes-half-the-city! Yes, ok, there may or may not have been some structural damage to the White House, but this film was not about taking over the planet, or destroying the human race: it was about saving the mutant race and the targets were a small, specific group of men – not an entire city or country. The big action battle at the climax of the film took place in the future, while the emotional struggle of how to prevent that future was the focus of the past. Low: Mystique was kinda boring. Aside from kick-ass action sequences (Mystique’s fight scenes have always been fab; the way they bring her stealth-ninja prowess to life continues to astound me), she was just not very interesting in this film. She had one purpose, one goal, and her personal conflict was not presented in such a way that you really felt for her and understood why she was being so ruthless. I mean, you definitely got it (especially when she was going through the research files and we caught a glimpse of her pain and anger) but her turmoil was overlooked and surpassed by everything else that was going on. Had Logan been given less emphasis and Mystique been given a little more, I might have felt a whole lot better about her presence and she may have been more than just a naked J-Law in blue body paint. High: The mutants of the future were so wonderful to see on-screen. Blink, Warpath, Sunspot and Bishop (Bingbing Fan, Booboo Stewart, Adan Canto and Omar Sy, respectively) were so well developed in terms of power-presentation. The FX felt remarkably natural and organic to the story and characters and it left you wanting nothing…except for them to have more screen-time. Low: Some of the other CGI needed some love. In particular, Mystique’s shape-shifting FX and the green-screen were shoddily done in more than one scene, and it unfortunately took me out of the story. High: Young Stryker. Getting to witness the beginning of Stryker’s involvement with the mutant phenomenon was surprisingly pleasant, but you never really knew where he was at emotionally. Low: Young Stryker…was surprisingly pleasant, but you never really knew where he was at emotionally. The movie-verse never established how old his son Jason (wannabe-Mastermind) was when he developed his powers, but DOFP specified that Jason was eight years old in 1973 so we can assume he is still perceived as human. Maybe it was a reflection of Josh Helman’s acting, or maybe I’m totally wrong about Jason “still being human” at eight years old, but there seemed to be times when Stryker was conflicted about Trasks’ plans to destroy mutants. I felt as if there were a few moments when Stryker was ready to object or defend mutants, but those moments were fleeting and ultimately forgotten. High: Two words. Peter. Dinklage. This man, I believe, is one of the great actors of his and our generation. He immerses himself so completely into every character he plays, and he transcends my expectations every time. Be it during Tyrions’ trial (EMMY AWARD PLZ) or during his speech in the Oval Office convincing the President to employ his sentinel program, Dinklage is such a power and presence in every scene he’s in. Low: Xavier’s serum was a little far-fetched for me. It gave him the ability to walk by changing his DNA (Hank’s serum did the same by hiding his blue fuzzies) and it also, coincidentally, blocked his telepathy. Someone, please explain to me, how changing your DNA gives you the ability to walk. Last time I checked, paralysis by gunshot wound was not a product of DNA. Am I wrong, science?

AWESOME.

High: The FX for Beasts’ change were so good. Low: If I have to watch Bobby get his head crushed, Colossus get ripped in half, Magento get a spear to the stomach, or my baby daddy Bishop explode again I’ll throw myself off a bridge. Rip my heart out one more time, assholes. Please. High: Fassbender and McAvoy. They have such charisma and chemistry together, it’s hard not to ship them. They play Magento and Xaviers’ tumultuous relationship to perfection and watching them ignite such a passion and fire of rage, pain, friendship and loss in the other is a gift. Low: Contrary to how I suspect many others might feel I did not enjoy the scene between young Charles and old Charles. There were so many other ways of getting young Xavier to believe in himself again, to believe in the future; it felt contrived to have old Charles impart words of wisdom onto his younger self – that he would the quote not five minutes later. While I loved seeing McAvoy and Stewart on screen together, there had to be another way to give young Charlie the strength to hope again.

High: QUICKSILVER. This dude. Just—damn. This dude. Evan Peters was perfect. Beyond hilarious, he really brought Pietro’s humor to life. While I’m excited to see a potentially darker side of him in MCU’s AGE OF ULTRON (Aaron Taylor-Johnson) next year, Peters was brilliant in what he did. The little nod to Magento being his father was on. Point. Low: The Maximoff TWINS. Apparently the little princess sitting on Peters lap was not Wanda, but if that’s true… Then where was she? High: The end. I almost started crying. Not because I’m such a girl that everyone survived and X3 didn’t happen (although boy is that the best part) but because you got to see the original cast again. Rogue with her gloves on and holding hands with Bobby, Kitty and Colossus teaching a class, Storm (ughhh) alive and well, Beast roaming the halls and fuzzy and dapper, and Jean and Scott in the office with the professor. It was all I wanted to see my cast together and know there was hope for the future. Was DOFP the best X-Men to date? I’m split 50/50. There were things I loved and couldn’t get enough of, but there were also certain things that were too underdeveloped, characters that weren’t given enough screen time, and story aspects that I could do without. Was it the best adapted story thus far? It was pretty interesting, yeah. Did it stray too far from the original DOFP plotline? An argument could be made either way but it was adapted to fit the film universes needs and adapted well, at that. Am I rooting for another X-Men film with the original cast? Always. Do I expect to get one? Not particularly, no because now they’ve been tied up in a neat little bow where everyone survived and got a happy ending. The next few X-Men films will more than likely focus on the events that changed between 1973 and 2000 that created the future we saw at the end of DOFP. Did X-Men and X2 actually happen? X3 sure didn’t (thank god) but I’d said it’s fairly open to interpretation if the original two films happened the way we initially saw, or if their events changed minimally (or possibly majorly). Additional X-Info: X-MEN APOCALYPSE is said to be set in the 1980’s, though it’s always subject to change, and Bryan Singer has for all intents and purposes confirmed that young Storm, Cyclops and Jean Grey will be featured in APOCALYPSE as the beginnings of the X-Men we met back in 2000. Gambit is supposed to fit in there as well but no one really knows how at this point. And yes, I do think Channing Tatum will be a fine Gambit. He’s got the swag, he’s a decent actor (I think he’s not given enough credit and I’m quite excited to see him in upcoming FOXCATCHER) and with the accent down and the right costume he’ll certainly look the part. Here, have some side-by-sides.

Optional Music Accompaniment: The theme to the X-MEN animated series. On repeat. 

I’ve always been a man defined by his hobbies and obsessions, whether it be Ninja Turtles, baseball, Beanie Babies, Star Wars, fantasy sports, or TV. From 2000 to 2007, my Northstar was comic books, and I’d argue, was the most important hobby I ever had, irrevocably changing how I view pop culture and discovering what kind of stories and worlds and characters that I love.

I’m a devourer of superhero-related pop culture, someone whose calendar is dictated by big movie releases or TV premieres. My consumption of sci-fi, fantasy and comics has paralleled the incredible rise to prominence that these genres have imprinted on our culture. I like to think I had something to do with it all, because the timing is uncanny (sorry).

But without the original X-MEN, the superhero film that in many ways, started it all, we might never have seen a world where comic book heroes are the most popular characters in the world, where movie theaters are filled with the biggest characters from our youth, or the most eclectic. ANT-MAN is going to have his own movie, and that’s not weird. That’s exciting. The best filmmakers and actors in the world do some of their best work bringing to life characters that we grew up so urgently pretending they were real. Perhaps even without X-MEN, another movie would’ve sparked a superhero renaissance, an age when Captain America or Iron Man shares equal footing (or towers above) James Bond, Sherlock Holmes, Darth Vader and Indiana Jones. But maybe we’d still be waiting for AVENGERS. Or JUSTICE LEAGUE, because the punch line writes itself.

X-MEN’s success led to Sam Raimi getting his hands on SPIDER-MAN, and that paved the way for Christopher Nolan to reboot BATMAN, and for all of our movie going lives to change forever. It certainly mutated mine (oops).

If I hadn’t seen X-MEN, or if it hadn’t had a profound impact on me, I might not have been as invested in the incredible fantasy world that we geeks live in today. When the film came out in 2000, I had never read a comic book before. I was aware of them, having spent most of my money on MAGIC: THE GATHERING, POKEMON and baseball cards at Bigfoot’s Cards & Comics (now and forever closed ). I think I knew I’d like them, but I didn’t know if I was ready to fully commit to my nerd-dom, or admit to myself that that was the path I was going down. I was an extremely shy person back then, and not at all comfortable in my own skin, preferring to shield my personality from other people.

I was also a fairly accomplished baseball player at the time (but I was only 12, so that means nothing), and I’m not sure if I was able to reconcile the two worlds together. Being a LORD OF THE RINGS geek on your baseball team in 2000 was a hard sell, and I don’t think it’s an accident that my playing days became more frustrating, difficult and fewer and far between once I embraced comic books and the like. I wish I had juggled the two better (one of my bigger regrets), but I wasn’t very good at managing my obsessions.

When Bryan Singer, a director known for THE USUAL SUSPECTS, took on X-MEN, and brought it into theaters in 2000, I was more than familiar with the X-MEN. Like almost everyone in my generation, I had grown up on the awesome aforementioned cartoon. Jubilee was the worst, Cyclops was lame, the Phoenix Saga was fucking great, etc. I would’ve told you Wolverine was my favorite character (revel in his best quotes, though none top “JEEAANNNNNNN”), but I probably secretly believed Beast to be my fave, since he was the most Donatello-like of the mutant brigade.

Every summer, I’d go with my family to visit Granny in North Lake Tahoe. After a day spent on the beach (likely playing “amazing catches,” a forced childish version of ESPN’s Web Gems with a splash ball), we’d often play a round or two of miniature (don’t call it pee wee) golf at Magic Carpet Golf. While there were many highlights of the experience (including some shooting game that featured a terrifying cowboy/drunk that shot water and hollered at you), I was never satisfied until AFTER I got done in the Arcade Room. Why? Because they had the X-MEN Arcade Game. Magic Carpet was probably one of two places I’ve ever seen it, or played it (until very recently, it was still there; now my childhood is dead).

While I loved playing as Wolverine (in his spectacular brown and tan/yellow duds that need to make it on film) and Nightcrawler (also one of my faves; I wasn’t too creative in my choices), Colossus was the true breakout character of that game in my mind. I would play him the most, and would yell “Hyogen” to emulate the yell Piotr Rasputin makes when he explodes/whatever the fuck he does to destroy all competition. For awhile I think I just figured his name was Hyogen, and that became a talking point with my father for years (he’ll still say it). I shouted Hyogen around the house well after I should’ve stopped, and am still a little upset how awful my ears were, since my approximation of his yell left a lot to be desired in translation:

I like Hyogen better, but there’s a lot to be said for MAAAAAAAUUUUUUUUUUGH. Or maybe it’s WHOOOOOOOOREE. One of life’s greatest mysteries.

All of this was a long-winded, rambling way to say that I had been primed, and ready for the moment a young Erik Lehnnsherr mangled barb-wire fence at a Nazi internment camp to open X-MEN, and tearing down the barrier to comics and genre in my life forever.

I was thrilled to discover the absolute perfect Wolverine on screen, perhaps the best unknown casting of all-time. One of the biggest travesties of the constant missteps of the X-franchise after X2 has been wasting a willing, loyal and brilliant Hugh Jackman in his prime on a bunch of shitty movies. That, more than anything, is why we need X-MEN: DAYS OF FUTURE PAST to be awesome, and why I’m totally fine that Wolverine’s role in the film is beefed up. There’s only so much longer that Hugh Jackman can do this, and like Robert Downey Jr. with Iron Man, I want to see as much of him as possible in the role that made us love him.

While Anna Paquin’s Rogue was annoying, I still loved Wolverine and Rogue’s relationship. Patrick Stewart. Ian McKellan. Most associate P-Stew with Captain Picard, or McKellan with Gandalf. This is likely heresy/wrong, but for me, they’ll always be Professor X and Magneto, as X-MEN was my first introduction to them as actors that stuck, and physical evidence that true love exists.

You could go on an on about what’s wrong with the X-MEN movies (Toad, Storm, Rogue, the bazillion plotholes and timeline inconsistencies), but it doesn’t matter. In 2000, when I saw X-MEN for the first time as a 12 year old, it changed my life.

X-MEN was my Gateway drug into comic books. The next week I was in Bigfoot’s, buying comics for the first time. Since that moment, I’ve listened to Joe Quesada or some other boner talk about how these movies try to get kids to read comic books countless times, and they always seem so desperate and laughable, but with X-MEN, the tactic worked.

While the first comic book character and series I fell in love with based on the merit of the character and the writing was GREEN ARROW, thanks to Kevin Smith and Phil Hester’s genius resurrection of Oliver Queen, they weren’t the first comics I ever read.

That would be X-MEN #110-113 and UNCANNY X-MEN #392-393, a unique and interesting period of X-Men comics that people would prefer to forget.

Somehow, Scott Lobdell’s “Eve of Destruction” arc didn’t ruin comic books for me forever. At the time, tt was seen as the last big crossover between the X-titles, while simultaneously being “filler” before Grant Morrison and Joe Casey (blergh) took over the flagship books for Marvel and revolutionized the mutants (one of them did). I honestly don’t remember Eve of Destruction in the slightest, except for their covers (and the brilliant song Lobdell was referencing), which is probably for the best. I do remember being kind of bummed out that Hyogen/Colossus had just died (sacrificing himself to save mutant kind from the Legacy Virus), right when I was started reading. Figures. Of course, years later, Joss Whedon would prove perhaps for the first time that he would always have my back, resurrecting my Arcade fave in ASTONISHING X-MEN.

Pretty soon, I was spending all of my allowance and savings on comic books, broadening out to AVENGERS, FANTASTIC FOUR, JUSTICE LEAGUE, and in a couple years, onto Vertigo titles like FABLES and Y: THE LAST MAN that really showed me the kind of diverse storytelling that could take place in a medium that I had always thought was devoted solely to masked heroes and villains.

When I was first delving in, I craved more. I wanted to talk about them, I wanted to pretend like I knew what I was talking about, and I wanted to meet other people like me. That’s when I found the Marvel message boards, and stumbled upon a world of role playing, constant threads filled with silly arguments debating your dream X-MEN team, or what mutant powers you wish you had, or who you’d want to fuck, along with various get to know you games with nerds of all shapes, sizes and ages. My moniker was DrDoom2099; to this day, I’ve never read a comic book with the 2099 version of Doctor Doom. Very soon, I had created my own message board called Comic Castle, that brought with it several iterations, a lot of wasted time, and a few long time members and friends.

One of whom was ShadowWolf214, or David Youngblood, a name you might recognize. He writes about owls and Red Pandas on this very site, and mind-bloggingly does so without any encouragement from me. 13-14 years after I first met him on the Marvel message boards and talked to him on AIM, I probably text David more than I do my Mom, Dad or best friends that I actually see on a consistent basis. David has been my nigh constant online companion ever since I learned to stop worrying and love the genre, and the bizarre, incredible, and life-giving worlds that that has opened up. In many ways, because he was so much older (it’s a one year difference, but it seemed/seems like a decade of difference when I was 12) and had been reading comics for longer, he kind of clued me in on what to read and what to shit on, until I was able to stand on my two feet in the comics community (I don’t know if I ever did). Whenever the other watches a new show, or movie, we’re likely the first to know about it, or receive a snarky comment. We practically have a symbiotic relationship when it comes to pop culture, and there are few people I trust more than him when it comes to recommendations.

It’s one of the weirder and cooler friendships and stories I’ve had the good fortune to stumble upon. I “met” David when I was 12 years old (though we both lied about our ages for at least a year or so), and we both stunningly turned out to be who we said we were, and kept in contact long enough to the point where it wasn’t weird when we finally met. I went to his wedding in August of 2012, finally meeting David and learning his disturbing predilection for chicken fingers in person for the first time. Here I was, the night before his wedding, crashing on his couch. It was surreal, kinda awkward, yet undeniably wonderful to be chatting about THE AMAZING SPIDER-MAN, THE DARK KNIGHT RISES and PROMETHEUS with David and his drunk friends during the most important days of his life.

It’s reassuring to have someone in your life that not only knows you and has your back, but loves all the same things you do. It’s creepy/insane how similar David and I are in our pop culture consumption. He will get all the jokes, all the references. And that all came, in part, because of Bryan Singer’s first X-MEN. Without seeing it, I would have 100% less dragon socks, Edward James Olmos t-shirts and people to talk Agent 355 with, things no one should live without.

Before I became comfortable waving around my hobbies, and personality for all to see (which came in senior year of high school and college), the Marvel message boards were the first lifeline to who I really was. Nowadays, I don’t care what other people think about the weird or girly or nerdy things I like (MARY POPPINS, DAWSON’S CREEK, etc.), and am in fact proud of it, since I never shut up about them.

But without the Marvel Messageboards, and discovering the internet as this bastion of reflection, discussion and access to knowledge and people I’d never be able to meet in Edmonds, WA when I was in middle school, I never would’ve made Comic Castle or discovered things that truly inspired me. I might never would’ve written about comics, movies and the things I love, and without that, I don’t know if I ever would’ve realized how much I like not just writing online, but writing in general.

You could make the argument that seeing X-MEN was the most impactful thing that happened to me in my childhood, aside from a non-serious car accident that happened to me when I was 15 that robbed me of my license for a year and inadvertently introduced me to DAWSON’S CREEK, or not making the baseball team my freshman year of High School. Oh, and being loved and raised by a pair of wonderful parents, I guess.

While X-MEN: DAYS OF FUTURE PAST has the potential to be awful, and I’ve kind of held my expectations in check because of that, I’m optimistic. It’s actually snuck up on me how happy and ecstatic I am to see this crazy ballsy sequel/prequel/reboot/eraser fourteen years later, with Bryan Singer back in the saddle.

Maybe afterwards, I’ll find myself wandering right back into a comic shop, ready to restart the addiction. What’s Scott Lobdell doing these days?

I’m on the side of whoever protested making this abomination.

May 26, 2006 was possibly the worst day of a fan[girl, boy, or other]’s life. May 26, 2006 marked the day that Brett Ratner, Simon Kinberg and Zak Penn put big, flashing, neon, red X’s (how painfully ironic) on their backs with not-so-fine-print that said, “COMIC FANS, PLEASE USE US AS TARGET PRACTICE.” May 26, 2006 was the day I realized that going to jail for manslaughter could become a reality for me.

Take a stand? Bitch took the cure, not a stand.

X-MEN: THE LAST STAND was the worst comic-book movie I’ve ever seen, (yes, worse than DAREDEVIL, ELEKTRA and THE FANTASTIC FOUR combined) for the fact that it took my favorite group of superheroes and absolutely ruined them. The problems I had with that movie could be drawn up, yeah… In a very long, very curse-word-ridden list that would take me probably the rest of my life to complete.

But none of that matters because now there’s DAY OF FUTURE PAST; the light at the end of this horrid tunnel that I thought would never, ever end. I’m not saying that DOFP will be the best movie ever, or even that it’ll be good (though critics do seem to like it overall). What I’m saying is that DOFP will be great because it will eradicate THE LAST STAND and render it obsolete in the X-Men’s cinematic world.

Here we are folks, almost eight years later to the day where we, the fans, are finally getting the X-Men film we deserved.

I just… Wat?

I’ll admit that on the one hand it’s quite frightening to think that Mr. Kinberg is trying his pen once again at writing an X-Men film, (he hasn’t done a whole lot of noteworthy stuff since TLS, but is slated as being the writer for THE FANTASTIC FOUR reboot, and the recently announced GAMBIT and X-MEN: APOCALYPSE). Maybe it’s misplaced faith, maybe it’s hope that he’ll do something to redeem himself, maybe it’s just because I’m so excited to see the damn movie but I somehow get the feeling that I won’t be too disappointed in what’s to come. I can’t help but have some confidence in him that he learned his lesson the last time and wouldn’t dare try any more silly antics like changing an entire backstory of a pivotal character, moving the Golden Gate Bridge, or destroying Alcatraz Island. Either that, or Fox Studios really is as dumb as we all thought when they decided to bring this lame-o back on to write the latest X-Men installment. (Which, to be fair, is probably a fairly safe bet to place. Fox really is quite stupid.)

Now, on the flip side of the X3 WAS THE WORST MOVIE EVER OMG WHY coin, most X-Men (and comic fans in general) loved X-MEN: FIRST CLASS. They thought it was a hopeful, interesting story with dynamic new characters who had a range of abilities. I liked it well enough – it was definitely entertaining – but to me it seemed very frivolous and not in a fun, comedic, witty way. While there’s no doubt the casting was wonderful, I couldn’t help but miss our old, more distinguished cast. And please, don’t misunderstand me: when I say distinguished I don’t mean they were better or more important, I mean that there was a darkness to the first two films – both in casting and in storyline – and FIRST CLASS didn’t have that. It felt light and fun and playful when all I really wanted was the weight of what being a mutant was. I wanted a serious X-Men film that felt grown up, and not like kids on a playground. FIRST CLASS was too light, while THE LAST STAND tried so hard to be dark and mysterious that it ended up just being silly.

If it all works out [the way I want it to because my word is law, obviously] DAYS OF FUTURE PAST will be the perfect melding of the minds between the changing world from FIRST CLASS and the tragic future that exists somewhere post-X2 (I’m avoiding reading all spoilers so I have no idea how everything fits together). Either way ya’ll, I’ve waited 8 years, so here’s to waiting yet another week.

If there’s a dark cloud hanging over the sunny festivities of WonderCon, it’s likely the sexual abuse allegations that have been thrown director Bryan Singer’s way. He had been planned to represent his newest film, the epic gigantic crazy mind$#%# X-Men: Days of Future Past, but those were obviously squashed.

But the FOX presentation for X-Men: Days Of Future Past still went on, with writer and X-architect Simon Kinberg there to take his place.

It was a brief panel, but it’s hard not to get excited about this movie, even if it seems destined to either rule or blow up completely.

As Kinberg states, it’s the “biggest collection of X-Men on the screen” and of course, features time travel, something fraught with difficulty. It was, in fact, the trickiest part of the movie, and especially the screenplay (that Kinberg worked on). They wanted to use real science, but if that was the case, they wouldn’t have time travel. They met with physicists, and actually got a big assist from a film time travel guru, one James Cameron, who gave them advice, and scientific evidence to study. According to Kinberg, they were really meticulous with how time travel worked. They set up rules at the very beginning of the movie and stick with them throughout. As long as they do that, I think we’ll all follow. But I don’t think many are going to see DOFP for “realistic” time travel science. They’ll likely be disappointed.

Then, those at the panel were given a taste of the latest trailer, one that no has seen on the big screen until now. Even cooler, we got to see an extended version of the opening battle that has also been introduced online, and we’re the first to see this extended clip.

Again, spoilers.

It doesn’t disappoint, even if it seems crazy spoiler-y. But clearly, with the time travel elements, any deaths or big events can or aim to be rebooted, and especially since they’re showing this scene before the movie hits, all is not what it seems. Essentially, the scene involves the new, future-y Sentinels and the young X-Men, both new and old to the films, from Blink, Sunspot, Shadowcat, Iceman, Colossus, Warpath and Bishop. It doesn’t go well for the group, but we get to see how Blink and Sunspot’s powers will translate to the big screen, and how Iceman and Colossus’ powers have developed since X3. Blink looks super cool, I’ll say, while the others look a bit too heavy CGI/shiny. It ends with almost everyone dead, but Shadowcat and Bishop are able to transport/time travel? away, in the nick of time (“Too late, assholes.”).

Kinberg mentions that “Days of Future Past” was his favorite X-Men story growing up, and also owns up on some past mistakes by the franchise. We “probably should’ve done better with Dark Phoenix, but this is our attempt to make a cool “Days of Future Past.” They are literally going back and righting our wrongs, like the characters.

The mood and colors of the past and future provide rich contrast. The 70′s gives a bright, splashy color palette, while the future is dark and somber.

James McAvoy‘s first day on set was the scenes between him and Patrick Stewart, a daunting task. It was the bridge between the two time periods and cast, and was referred to as the “nose off,” because they were filmed in profile, and it displayed their significant noses.

The discussion turned to Peter Dinklage, as most do these days. He’s playing the villain in the film, Bolivar Trask, the creator of the Sentinels. Kinberg didn’t write with him in mind, but like everybody else, he’s obsessed with Game of Thrones. They needed an actor who could stand up to the big level of actors they have (McAvoy, Michael Fassbender, Jennifer Lawrence, etc.) Dinklage very quickly became their first and only choice. According to Kinberg, he’s spectacular in the film, and gives gravity and humanity to Trask, “hard to with a villain.” Not a well written one.

The film does indeed have Richard Nixon in it, and not just clips like First Class had of JFK. There are significant scenes between Nixon and mutants, Nixon and Trask, and they posit that the Watergate tapes that went missing had something to do with mutants. Does he hate mutants? It’s not black and white; Nixon is a complicated dude.

Hugh Jackman didn’t get much off time between shooting Wolverine and DOFP, but he actually preferred that, because he didn’t go up and down from his insane diet and workout regimen. Wolverine, of course, was the only guy in both time periods, so he had the most important role in the film. Because Wolverine. Hugh gets to play two versions of the character, as they made Wolverine the character to go back in time, and not Kitty like in the comic books, for a lot of reasons (because Wolverine).

And that, was that. Stunningly, the film is coming out on May 22nd, barely over a month away. Crazy.