When I first heard about Welcome to Me, a movie from director Shira Piven (Fully Loaded) that defies characterization, I talked with a friend about star Kristen Wiig. We adore her (who doesn’t?) and immediately agreed on her immense dramatic potential (“Wiig seems destined for an Oscar nom someday,” were my friend’s exact words). She banks on it in Welcome to Me, a bizarre, uncomfortable and fearless film about mental illness and our society’s mental illness: a desire to be famous, to be televised, a symptom of reality TV.

Wiig is Alice Krieg, a mentally unstable, closeted woman diagnosed with borderline personality disorder. She’s kept her TV on nonstop for 10 years and every morning, watches a VHS tape of Oprah, reciting Oprah’s touching monologue about everyone’s “True Calling” by heart. Alice is surrounded by a sea of labeled Oprah VHS tapes in a living room seemingly removed from time.

Afterwards, Alice makes a trip to a mini mart, where the owner has her Oprah magazine and lottery ticket waiting. The thing is, this time, she wins. Alice wins 86 million dollars.

Off her meds against Dr. Moffat’s (Tim Robbins) wishes, Alice moves into a casino hotel “indefinitely,” and tackles her destiny: writing a $15 million check to Rich (James Marsden) and Gabe (Wes Bentley) of Palm Desert studios to guarantee her 100 two hour episodes of her own talk show. It’s clearly an incredibly bad idea, their production company is on fumes and Rich is happy to take her money, and let her do whatever she wants.

The result is “Welcome to Me,” a talk show all about Alice (“like Oprah, with a swan boat”), a “narrative infomercial” with segments like “Smelling Things Before They Happen” and rampant reenactments reliving uncomfortable moments from Alice’s past.

This sounds insane, and it is, but Welcome to Me never devolves into farce or pure absurdity. It’s not treated as a comedy, and Alice always feels like a real character. This is a drama with real people, and it’s no less hilarious for it (I’d argue that it’s more hilarious for it).

One might worry that she is too Kristen Wiig, but she’s not: she’s wonderfully deadpan and peak Kristen Wiig, never coming close to turning a complicated character into caricature, which would’ve been the easy way out.

The entire cast commits to this bizarre world, and when that cast includes Kristen Wiig, Wes Bentley, James Marsden, Tim Robbins, Joan Cusack, Jennifer Jason Leigh, Linda Cardellini and Alan Tudyk, you know you’ve encountered a special movie.

The movie has come onto people’s radars for Wiig’s much-publicized nude casino scene. A movie as complex and interesting as this doesn’t deserve to be boiled down to just that, but it serves to highlight what a fearless performance this is by Wiig, and a fearless movie in general. For whatever the reason, I’m glad it’ll get more people to watch this movie, even though I suspect people expecting, say Bridesmaids, will walk away bewildered.

The film toes the line of scary and funny throughout, with a unique pacing that mirrors Alice’s instability, and because of that, it’s impossible to predict. That’s something to cherish.

WELCOME TO ME arrives in select theaters May 1st and nationwide May 8th.

Oftentimes, when I find myself with an hour or two to kill, I scroll through Netflix, Hulu and various other online outlets, and am frozen with indecision, fraught with stress over what show I should watch next. Do I set aside my life for a few years and start Star Trek, in all its iterations, from the beginning? Should I catch up on Scandal or House of Cards, or did I already miss the boat on those shows? Do I open a book, like say Wheel of Time? Normally, I settle on merely catching up on a couple shows ongoing that I do watch, or switch gears to a movie, another potentially life-altering decision and a whole new can of worms. But sometimes, it feels good to be able to start and finish something in a short period of time, and not have to devote weekends, entire weeks, or months, to Binging media content.

Because I watch way too many things, I don’t get to binge through shows as fast as I’d like. It took me a year to watch all of the new Doctor Who. I’m in the middle of Broadchurch and probably will be for a couple months, even though it’s a 9 episode long BBC series.

Enter: IFC’s The Spoils of Babylon, a six episode long mini series, with each 23 minute episode spread out over two mid-afternoon writing breaks. It was glorious to watch a complete story in such a short period of time, a minor commitment, and it helped that it was the funniest show I’ve seen in 2014.

Written by SNL veterans Matt Piedmont (Funny Or Die Presents…) and Andrew Steele (Casa de mi Padre, The Ladies Man), and directed by Piedmont, the show is an unabashed parody of long, drawn out miniseries’ adapted from pulpy, generation spanning novels from the 1970’s and 80’s. It’s like an even less serious Dallas, though it takes itself just as seriously as all these event programming.

A great parody is one that loves and reveres its source material, and transcends it. It’s why Galaxy Quest was voted as the 7th best Star Trek film ever by fans (it should be #1). If there’s a Thorn Birds convention, they’d likely worship The Spoils of Babylon. 

Each episode is introduced by Eric Jonrosh, a caricature crafted after the lush, enormous version of Orson Welles, with a dash of Philip Roth, John Updike and writers of that ilk and ego. He is the writer of The Spoils of Babylon, a bestselling book that only HE could adapt, in painstaking fashion. Will Ferrell is the only choice for Eric Jonrosh, and you never want his hilarious, boozy over-the-top introductions to end. I’d watch an entire episode of The Spoils of Babylon even if it was him just trying to introduce said episode. Anchorman 2 caused me physical pain, but Ferrell’s act isn’t tired; that spark hasn’t gone away. It’s a reminder of his unparalleled comedic talent.

The Spoils of Babylon chronicles the love, murder, betrayal and incest that centers around the Morehouse family, one made rich and powerful thanks to striking oil in Texas under the guise of patriarch Jonas Morehouse (Tim Robbins). Jonas adopts orphan drifter Devon, who becomes his only son and heir to the Morehouse name and corporation.

Tobey Maguire plays Devon, and you might think that an interesting/odd/unfortunate choice depending on your opinion of Maguire, but trust me, it’s perfect. He’s never been better as the author/soldier/oceanographer Devon Morehouse. Tobey’s been pushed aside since the abhorrent Spider-Man 3, but I always think any criticism directed to his Peter Parker and Spider-Man is unwarranted and harsh. Even so, he admittedly seems pretty boring, the equivalent of ordering a plain burger with no cheese or pickles or onions when you can get the Sriracha Burger. But he erases any notions of that in The Spoils of Babylon, where Maguire is the best part, and that’s saying something, because the cast is ridiculous. He has a new wig, beard, mustache and career in every scene, and he clearly relishes a role that’s fun, weird, and deliciously over-the-top. Devon and the show itself is like a pinwheel of emotions.

He’s, naturally, in love with his sister Cynthia Morehouse, played by an always brilliant Kristen Wiig. She was born to play a nutty, corrupt CEO/oil tycoon and star-crossed lover of her brother, a love that threatens to doom and sully the vaunted Morehouse name.

When I said Will Ferrell was an unparalleled comedic talent, that was in a universe without Wiig, which thankfully we don’t have to live in. She’s wonderfully insane, with tremendous tantrums and loutish things to say throughout.

You have to watch Spoils of Babylon to witness the seeds of Haley Joel Osment’s comeback. He’s in Kevin Smith’s Tusk, has a role in the forthcoming Entourage movie and in Amazon’s Alpha House, and he’s gut-busting as the over-the-top, cackling Winston Morehouse, Cynthia’s only son, plotting to kill Devon and everyone he loves. It’s still startling to see a grown up Osment, and Spoils of Babylon takes advantage of your momentary pause by amping up Osment’s pure villainy. It’s glorious.

This is a show where Devon returns from war with a wife, and it’s a talking manikin (womanikin?) voiced by Carey Mulligan named Lady Anne York (see below). In the same scene, there’s a banner welcoming Darren home, which (duh) isn’t even Devon’s name. It’s never referenced, just the kind of subtle humor also on display in this comedy playground, and perhaps a nod to Arrested Development.

The miniseries also stars Val Kilmer, Steve Tom (best name ever?), Jessica Alba (as Marine Biologist/oceanographic enthusiast Dixie Melonworth), Molly Shannon, Michael Sheen and obviously, David Spade. You can’t really top that.

So hop onboard, and revel in the show that IFC perfectly describes thusly:

Patriarch Jonas Morehouse shepherds his daughter Cynthia and adopted son Devon from meager beginnings in the oil fields of Texas to powerful boardrooms in New York City. Cynthia and Devon, entwined in undeniable love, stumble through war-torn battlefields, blazing mansions, filthy drug dens and velvet-sheeted bedrooms on their quest for power and influence. Despite Jonas’s best efforts to intervene, Cynthia and Devon’s merciless love sets into motion a wave of destruction that crashes down on Devon’s graceful wife Lady Anne, his daughter Marianne, his colleague and lover Dixie, Cynthia’s hen-pecked husband Chet, her evil son Winston, the scheming Generals and far beyond.

So what are you waiting for? It’ll literally take you less time to watch the entire series (138 minutes all told) than survive ANY one of the Transformers movies.

Before I begin, I just want to clarify: this isn’t a list of portrayals of actual presidents in films. You’re not going to see Daniel Day-Lewis’ Abraham Lincoln or Frank Langella’s Richard Nixon, or the 53 actors who have played JFK. These are all fake presidents, which should be abundantly clear.

This is specifically for MOVIE presidents. Fictional TV presidents would be an entirely different list, but if you must know, it would have Martin Sheen’s President Bartlet at #2, AFTER Laura Roslin of BATTLESTAR GALACTICA, because I’m the worst. David Palmer of 24/Allstate would be 3rd place.

Many old men in Hollywood have practically made a career of playing the POTUS. If you’re a grizzled character actor with a nice clump of white hair and you ooze authority, you’ve likely played the thankless role of a president in a film.

Ronny Cox  (above) wins the award for most portrayals, with four, including the craptacular 1990 CAPTAIN AMERICA, MARTIANS GO HOME, MURDER AT 1600 and NADIA’S PROMISE. Since MARTIANS GO HOME came out in 1989, he’s played a President in 4 different decades, and is still doing it. NADIA’S PROMISE came out this year.

JAWS’ Roy Scheider played the President three separate times. As did Gregory Harrison. Stanley Anderson (Michael Bay’s first call, for ARMAGEDDON and THE ROCK), Henry Fonda, Louis Gossett Jr., Sam Waterston, Leslie Nielsen, Peter Coyote, Jonathan Pryce and David Rasche have each played a POTUS twice on the big screen.

TRIVIA TO IMPRESS YOUR FRIENDS: Jeff and Beau Bridges aren’t the coolest sibling duo who have both played presidents. That award goes to Dennis and Randy Quaid. Dennis for AMERICAN DREAMZ…

Whereas Randy Quaid had the country in the palm of his hands in the classic MAIL TO THE CHIEF. The movie came out in 2000, six years before Dennis ever sniffed the oval office.

14 years ago, Randy Quaid was playing the President in Disney movies and I thought I’d play for the Kentucky basketball team. Life’s weird. Speaking of…

…Charlie Sheen was the President in MACHETE KILLS.

Eric Roberts was the head of state in FIRST DOG. I don’t want to look that movie up to shatter the illusion of what it is in my head (AIR BUD + White House).

Terry Crews was the President in IDIOCRACY. His name was Dwayne Elizondo Mountain Dew Herbert Camacho.

Robert Rodriguez’s SPY KIDS movies didn’t fuck around. In the second film, Shooter McGavin himself played the President. Then they took a step down in SPY KIDS 3-D, opting for a little guy named George Clooney:

Lame. Far superior was the fake but judicious U.S. population who elected Jack Nicholson to the White House, right before the world became under siege by aliens in MARS ATTACKS!

Is Jack not exactly who we want making the all-important decisions for our country?

PRESIDENT THAT WON’T SNIFF MY BALLOT:

Chris Rock as Mays Gilliam in HEAD OF STATE (2003). I just hate this movie. Maybe I’m just mad that I actually paid to see this one in theaters.

HANGING CHADS/SNUBS (in no particular order):

Michael Douglas (THE AMERICAN PRESIDENT, a redundant title), Kevin Kline (DAVE), John Travolta (PRIMARY COLORS), Alan Alda (CANADIAN BACON), Tim Robbins (AUSTIN POWERS 2: THE SPY WHO SHAGGED ME), Henry Fonda (FAIL SAFE), Jeff Bridges (THE CONTENDER) and Stephen Colbert (MONSTERS VS. ALIENS). Yeah, I blew it.

5. Billy Bob Thornton as the President, LOVE ACTUALLY (2003)

Billy Bob Thornton exudes sleaze and a stinky odor that can only be described as pure, unadulterated America in the brilliant British romcom. It’s a master stroke of casting, as arrogance and charm seep out of Billy Bob’s pores in this small role. He’s inappropriate with Hugh Grant/the Prime Minister’s squeeze, he’s a bully, presumably a philandering alcoholic, and he’s exactly what the Brits and the rest of the world think of American politicians. And they’re probably right.

I’d still vote for Billy Bob Thornton in a heartbeat.

4. Morgan Freeman as President Tom Beck, DEEP IMPACT (1998)

James Earl Jones delivered the first depiction of a black president in THE MAN (1972), although Sammy Davis Jr. dreamed of being the black president as a 7 year old in RUFUS JONES FOR PRESIDENT (1933). You could make a convincing argument that 24, DEEP IMPACT and other pop culture entries featuring black actors as the President paved the way for Barack Obama. It shouldn’t have required that, but Morgan Freeman’s portrayal in DEEP IMPACT might be one of the most influential of its kind. It doesn’t get any more regal, comforting, stately and presidential than “The Voice.”

Like in life, when everything seems lost, or when humanity is on the brink, we need heroes the most. Or at least, that’s what the movies teach us, and in DEEP IMPACT, a comet could destroy the planet. Leave it to Morgan Freeman and his voice to soothe our worries, and lead the way.

3. Peter Sellers as President Merkin Muffley, DR. STRANGELOVE (1964)

In Stanley Kubrick’s hilarious black comedy about the Cold War, nuclear paranoia and the folly of politics, Peter Sellers gets a new high score. He plays three of the main characters, including the titular Dr. Strangelove, a maniacal mad-scientist role that overshadows his Captain Mandrake and…the President.

In DR. STRANGELOVE, Sellers’ President is shocked to discover that the U.S. has ordered a nuclear attack on the Soviet Union, without his permission. He finds himself in an impossible situation, amid a sea of incompetent and unruly advisers in the war room, while not exactly the brightest man himself.

Here are two classic scenes from the movie, though it’s one of those movies where every scene is famous:

2. Harrison Ford as President James Marshall, AIR FORCE ONE (1997)

In the 1990’s, we wanted a President who could kick ass and murder with the best of them. Leave it to Harrison Ford to bring the badass to the Oval Office, as he turns the President (an ex-soldier) into a 90’s action hero in Wolfgang Peterson’s AIR FORCE ONE. It’s honestly one of Ford’s best roles, as he takes down a malicious Gary Oldman and his ring of terrorists WHILE IN FLIGHT. He also delivers arguably the best line from a Fictional Movie President, in a way that only Ford could:

This list will not go quietly into the night…

1. Bill Pullman as President Thomas J. Whitmore, INDEPENDENCE DAY (1996)

There are no words, especially when Bill Pullman stole them all, in probably the greatest movie speech ever:

All of the goosebumps.