I do not like Angelina Jolie, but when I say she was the best part of this 97-minute Disney flick, I mean that with the utmost respect and complimentary intentions. I went into this movie really hoping that it would change my opinion about SLEEPING BEAUTY and make me love Maleficent the way everyone else seemed to. Instead, the movie made me wonder what in the hell the studio was thinking. In an effort to make the audience empathize with one of the most infamous Disney villains of all time, they changed the [Disney] story of Sleeping Beauty* altogether, and made an arguably strong female villain, into a horrible depiction of a spurned woman. Thus, the critique that follows is that of an angry feminist, because there is no other way for me to express my rage at this atrocity.

Before I start on my rant, let me a say a few brief words about the rest of the film. The SFX were acceptable. I keep reminding myself that this is a Disney movie that was designed, marketed and made for children, and that I shouldn’t be too critical of the choice of magical creatures created or how fake the CGI** was, but I can’t seem to get past it. I wanted something darker and grittier – Maleficent was a villain – but somehow the fairies and all the other “dark” creatures were just so absurdly comical and obviously fake that I don’t think I ever really fully invested in the story; my disbelief was not, and could not be, suspended.

In addition, while the majority of the writing and dialogue was average, some was absolutely horrid. There were lines (about the begging, for example. Something about, “You’re begging. I like it when you do that.” or some such silly nonsense) that made my skin crawl because they were so overwritten and utterly ridiculous (so much so that not even a child in the ideal marketing demographic would have enjoyed them). But on the other hand, there were a few really great lines too, and Jolie had some wonderful dry humor-moments. For instance when she looked down at baby Aurora and hissed and the child just giggled and cooed. Maleficent snapped back with a sharp, “I hate you.” and it was so hilarious and endearing that you almost forgave all the bad lines (of which there were quite a few).

The minimal positive qualities were really limited to one: Diaval, Maleficent’s sidekick. While he didn’t get the screen time I wished he had, nor the ending (I was totally rooting for him to be Prince Charming) his comic relief and acting as Maleficent’s good conscience was quite lovely throughout the entirety of the film.

But really, the only other good thing I have to say about this film is that Jolie did a particularly good job for what she was given to work with. She made Maleficent likeable and funny, and really made us connect with an otherwise horribly conceived character. She not only looked the part and had the calm, cool and collected attitude to really chill someone to the bone, even when she was angry and dark, Jolie was really able to get Maleficent’s vulnerability across which is something I haven’t seen her do successfully, maybe ever. (…Also, that opinion may be a little tainted because I truly can’t stand the woman.)

And now the femirant begins. The premise of this film – of Maleficent’s origin – is that she fell in love with a poor boy, and at 16 he gave her “true love’s kiss.” That boy then went to work in the castle and upon the kings’ deathbed, he decreed that the person who brought him Maleficent’s wings would be named his successor. In turn that boy, Stefan, returned to Maleficent, manipulated her, cut off her wings and then became king. Maleficent grew vengeful and hateful at the betrayal and on the day of Aurora’s introduction and celebration of birth, Maleficent cursed her that she would fall into a deep sleep on her 16^th birthday only to be awoken by true love’s kiss.

Thus, Aurora was carted off to live with the three most annoying fairies anyone could have ever designed, and Maleficent began to watch over her while she grew up. Even through her hate and rage at Stefan, she grew to love and harbor affection for the sweet natured Aurora, and when the curse fell upon her, it was Maleficent’s kiss that woke her, not Prince Phillip’s (who I’m pretty sure was one of the boys from One Direction. That hipster hair was the worst.)

In theory, this all sounds like a very touching tale of darkness and redemption, but looking at it clearly it’s a story of a woman scorned by a man whose only path back from evil was through motherly affection for a young girl. Maleficient, at the betrayal of her true love (however rightly so: this dude physically abused her and gave a whole new meaning to “domestic violence” by mutilating the poor woman) pushed her so far down the path of retribution that she would curse a baby using the same words that solidified her trust in that man to begin with.

However, after getting to know this little girl and learning to love her as a daughter, Maleficent sees the error of her ways – her maternal instinct is too strong and she tries to lift the curse (to no avail because evil Maleficent was apparently more cunning than good Maleficent). In fact, Maleficent’s love apparently grows so strong that it becomes “true love” and she is the one to break her own curse, waking Aurora from her sleep.

It could be argued that it wasn’t about a spiteful woman enacting revenge, but about love between women, and I would be more than willing to accept that… Had the message that maternal instinct is what saves women from a path of evil not been so apparent. A man hurts her, and the only way for her to get back on track to being a “hero” and beloved by all the magical creatures is by being a mother to a girl – that was not unlike herself when she was a child. Disney tried so badly to make Maleficent into an empathetic character that in twisting her story of descent into something that could be restored in the end, they [un]intentionally sent a horrible message about women.

While I do believe that the story was written this way to ensure a family-friendly atmosphere (true love is always good for that), there must have been a better alternative. What if Stefan had been her brother and traded her in for the human world? Or what if she had traded him in for the magical one? What if it wasn’t Stefan at all, but the nameless and absent queen? What if they were sisters – or best friends – and one betrayed the other? Disney had to make Maleficent’s actions worthy of the crime, and moreover, the crime worthy of the reaction, but the way in they mapped out her story to be recouped in the end was all wrong. The man-hate-only-forgivable-by-maternal-sentiment was the weakest link in the entire film, which was not very strong to begin with.

Unfortunately for Disney, their first live-action Villain story left so much to be desired, that one can only hope they will learn their lesson if they ever decided to reinvent Ursula, Jafar or The Evil Queen and give them more substance than merely wicked, gender-specific trials and tribulations.

*In the original story of Sleeping Beauty, Aurora was cursed for 100 years and in that century her “Prince Charming” found her, raped her, and in her sleep she gave birth to twins. Only after all that horror did she wake up.

**The CGI wasn’t great, but the dragon was awesome. Then you stop and realize that Maleficent wasn’t the one to turn into the dragon in this version, and it’s suddenly less awesome.

The following list is based off my own discretion. Those I thought were interesting, those I liked, those I disliked. I got all the “major” villains, a few “minor” villains, and left out the more obscure villains (Shere Khan and Madam Mim? No one remembers them! But I do adore THE SWORD IN THE STONE. JUNGLEBOOK…not so much.)

L-to-R: Dr. Facilier, Ursula, Maleficient, The Evil Queen, Claude Frollo

With no further ado, here we go.

18. LADY TREMAINE (CINDERELLA)

As far as villains go, Lady T. was pretty weak. She had no real substance other than hating Cinderella, and while her daughters were a laugh and who didn’t love Lucifer, she was neither frightening nor interesting to watch. If we’re being honest, the scariest part about her was her hair.

17. THE EVIL QUEEN (SNOW WHITE)

The only reason she isn’t ranked last is because she absolutely terrified me as a child. I think I’ve watched SNOW WHITE a total of one time in my life because The Evil Queen’s old hag gave me nightmares for what seems like years. On how evil she is, there are quite a few vain villains on this list, and she is just another face in the crowd. Albeit, a goddamn scary one.

16. MALEFICENT (SLEEPING BEAUTY)

Mallie-poo could turn into a dragon, and that’s pretty badass. Was she especially interesting? Nah, not really. I haven’t seen SLEEPING BEAUTY in ages, but I don’t recall there being any particular reason for Maleficent cursing baby Aurora. While the upcoming live-action MALEFICENT may serve to bump her up this list, as it stands now she was more “awesome-dragon-lady” than “run-for-the-hills-lady.” (Footnote: All the Disney posts of this week were originally conceived in honor of MALEFICENT’s premiere today, May 30, 2014. Cheers to a new generation of Fairy Tales, both Villains and Princesses alike!)

15. YZMA (THE EMPEROR’S NEW GROOVE)

Yzma was hilarious. Everything about that skeleton-looking witch with absurd eye-lashes was hilarious, especially when she was turned into a cat. Villain-wise, she wasn’t nearly as evil as some of the other folks on here, but comedy-wise she was a hoot.

14. GASTON (BEAUTY AND THE BEAST)

Gaston was one cocky SOB. From the second he comes on-screen, you can’t help but want to punch him in his overly-chiseled jaw. He’s rude, crass, and way too narcissistic for someone who isn’t even all that sexy. If it came down it, I’d have taken Scar (a goddamn lion) over that fool, any day.

13. CAPTAIN HOOK (PETER PAN)

The Cap’n was awesome. Twisted, demented, in desperate need of some life-long therapy, yes, but awesome nonetheless. One handed and still able to capture a fairy? And – bonus – a rightful fear of crocs, ‘cause them is scary mofo’s. And one really must appreciate the irony of a man being so terrified of a clock on an island where time stands still. Therapy for days.

12. GOVERNOR RADCLIFFE (POCAHONTAS)

Governor Asshat is so high on this list because he shot John Smith. …And, you know, the general racism of wanting to exterminate (insert Dalek-icon here) an entire race of people. Should probably mention that too.

11. JAFAR (ALADDIN)

Every time I think of Jafar, I get two immediate thoughts: 1) Jasmine in that little red number, and 2) Jafar’s voice echoing in my head, “A snake, am I? Perhaps you’d like to see how snake like I can be!” and I get goosebumps. While a horrible racial depiction of brown-folks, Jafar was easily one of the most traumatizing villains Disney ever produced. He tuned Rajah into a little kitty (WHICH WAS ADORABLE), turned Abu into a tiny toy, locked Jasmine in an hourglass after making her his sex-slave, and allowed Iago to be fed those disgusting crackers.

10. DR. FACILIER (THE PRINCESS AND THE FROG)

In terms of badness, the good Doctor could definitely have been worse (Frogs are pretty weak. They weren’t even poisonous frogs!) But in terms of creep factor, The Shadow Man could give even Jafar a run for his money. Sadistic, manipulative, horribly frightening, Keith David once again found a way to chill us to our core bringing to life the epitome of rotten, bottom-feeding scumbags.

9. HADES (HERCULES)

Hilarious. Flamboyant. Pretty cool blue-flame-hair. Comedic timing anyone would kill for… Hades was a pretty good character, and even better villain. Would you make our hero Hercules surrender himself to the river Styx to save Megara? Watching the love of your life’s soul be devoured by the infamous mythological river (which was inaccurately portrayed like the entire rest of the movie) would have made anyone crazy, and Hades was a genius for subjecting Hercules to it. Cruel, but genius.

8. GOTHEL (TANGLED)

What a B. She was even more self-obsessed than Gaston, with even less inhibition. Crazy-G was ready to let a man die to keep her kidnapped daughter locked in a tower against her will, so that she could stay young forever. On further examination, it’s doctor recommended she be locked in a psych ward with mandatory daily shrink sessions to deal with her serious control issues. And preferably with a boat-load of tranquilizers.

7. THE QUEEN OF HEARTS (ALICE IN WONDERLAND)

Not much really needs to be said about The Queen. She was cuh-razy. A demented, probably bipolar female, with a penchant for beheading when she gets a bit testy? I’d pay to see this wacko go up against Cersei, and am honestly unsure if I’d be Team Lannister or Team Psychopath.

6. CRUELLA DE VIL (101 DALMATIONS)

Speaking of the crazies, this lady was maniacal and wanted to murder a bunch of a puppies. And really, girl? That hair? No words, Cruey. No words.

5. URSULA (THE LITTLE MERMAID)

Ursula was baller. I don’t just say that because THE LITTLE MERMAID is my favorite Disney film, I say that because Ursula was baller. In a world of pretty mermaids and talking fish, she was a goddamn cecaelia. She was crude and vulgar, with such a manipulative disposition it made your skin crawl. She tells Ariel that Eric won’t give a damn what she says, as long as she looks the part, and encourages her to use her body to get what she wants. And when Ariel almost succeeds, she transforms herself into a sexy little vixen and uses freaking mind-control to get Eric away from her. If that’s not an unhinged, rabid crone, nothing is.

4. SCAR (THE LION KING)

Y’all didn’t think I’d forget Scar, did you? That’s cute. Scar killed Mufasa, left baby Simba fatherless, and then made Simba think it was all his fault. And the award for worst family member ever goes to…

3. HANS (FROZEN)

[Insert all the curse words ever here.]

Hans.

[Insert all the curse words ever in EVERY OTHER LANGUAGE EVER here.]

2. SHAN YU (MULAN)

Murdered hundreds. Had a really cool birdy, but he murdered hundreds. The words, “Besides, the little girl will be missing her doll.” will run circles around my nightmares for, probably, the rest of my life… I mean, the dude POPPED OUTA THE SNOW. LIKE A DAISY. He was everything you would ever want in a villain, and then a lot more you wouldn’t.

1. CLAUDE FROLLO (THE HUNCHBACK OF NOTRE DAME)

I feel as if Frollo gets left off these lists, or shoved to the very bottom, way too often. THE HUNCHBACK OF NOTRE DAME is usually forgotten altogether; no princes or princesses, an ugly main character, a couple of average songs at best (which isn’t actually true – the soundtrack’s quite beautiful – but is, again, forgotten) and an ehh-he’s-OK villain. Except he’s not ehh, nor just “OK.” Claude Frollo was possibly the most despicable, disgusting, inhuman, wretched monster that Disney ever gave us. A “justice deacon” who was anything but just, he was not only a racist, callous and barbaric character that lacked any redeeming qualities, he called for a genocide of the entire Parisian gypsy population. He thought gypsies were sinful animals, unclean and impure, yet that still didn’t stop him from being so sexually attracted to Esmeralda that he gave her a choice to either love him or die. A blatant misogynist, Frollo condemned Esmeralda as a prostitute and heathen when she rejected him, citing that he was coerced by demons into being attracted to her. That, on top of his shunning of the disfigured Quasimodo, locking the poor soul in the tower and forbidding him to ever see the light of day, easily puts the foul and abhorrent Claude Frollo at the top of the list.

It’s always a challenge to rank characters; most, if not all, have qualities to both admire and despise, but in this particular case, there is no competition – the throne is rightly thrown (sharp end first please, and see what I did there?) at the heinous and vile Frollo, while the rest can chill and have a drink that while they while they may not be seated on Disney’s Iron Throne, they sure won’t be poisoned in an act of sweet retribution, either.

Clockwise, TOP L-to-R: Maleficent, Cruella de Vil, Scar, The Evil Queen, Hades, Ursula, Hook, Jafar

L-to-R: Rapunzel, Sleeping Beauty, Ariel, Snow White, Pocahontas, Jasmine, Belle, Mulan, Cinderella, Tiana

18. AURORA (SLEEPING BEAUTY)

She had a total of like, 15 minutes of screen time. This lazy ass slept the entire movie. Worst. Adventure. Ever.

17. SNOW WHITE (SNOW WHITE)

I’ll say it, I totally have judging eyes on this one. She seriously just moved in with seven rando dudes she’d never met before? Who is she? But at least she didn’t just nap for an hour, like some other ladies.

16. TIANA (THE PRINCESS AND THE FROG)

So this one surprised me. Tiana, one of our only ethnic Princesses, is also one of the more recent princesses so you’d think she’d be a super strong, kick-ass girl who sends a great message to the young’ns… Except she doesn’t. The entire film is about how dedicating her life to a career isn’t enough – she needs a man, too. That isn’t her fault, sure, but the part where she believes it, is. Boo!

15. ELSA (FROZEN)

I can see the hate mail now, but that doesn’t change the fact that Elsa was not a great role model. Sure, she was raised to be ashamed of herself and hide who and what she was, but she also let her sister die because she was too cowardly to stand up for herself. Shame on her.

14. ARIEL (THE LITTLE MERMAID)

As far as selfish princesses go, Ariel is pretty up there. She gave up her entire family and everyone she loved to be with a dude she just met… Who she didn’t actually meet. For Christ sake, there wasn’t even an introduction. The only reason she isn’t ranked lower is because she had a point: you can’t always make everyone else happy and sometimes you just gotta be you, even if it means you might disappoint others.

13. RAPUNZEL (TANGLED)

She was a dreamer, and a romantic and that’s great. She was also ridiculously naïve and got her boo killed. (Doesn’t matter that she brought him back, that’s not the point here.) I’m kinda split 50/50 on her. I’ll give her props for not giving up on her dream but allowing it to change, and being generally adorable. Also: Pascal.

12. JANE (TARZAN)

Jane may not have been the most interesting character, but she was open to new things and that’s a really important trait in a person. She didn’t understand Tarzan’s world, but that didn’t mean she didn’t want to. She taught him how to speak, and while the argument could be made that she tried to change him (by taking him back to England) she didn’t – in fact it was just the opposite, she realized and accepted that he was from a different world than her, and she was cool with that. Pretty good message of tolerance right there.

11. BELLE (BEAUTY AND THE BEAST)

Again, with the hate mail. Yes, Belle was very smart and book-wormish, encouraging reading and using your imagination… But she also fell in love with a monster who kidnapped her and held her against her will. Yeah ok, she saw the best in him but that doesn’t make up for the major Stockholm Syndrome that came along with her entire experience.

10. CINDERELLA (CINDERELLA)

Yet another princess that fell in love with a man she just met (I’m sensing a theme) but you gotta give it to her – she would not let go of her dreams. She found something she wanted and she found a way to get it. Sure, she could have had more of a spine standing up to her wretched step-sisters, but when your livelihood depends on those freaks do what’s necessary. As far as entertainment value, GusGus was the bomb.

9. MEGARA (HERCULES)

The sass. Sure, she was a baddie for the first portion of the film, but she was also participating in Hades’ schemes against her will and eventually saved Hercules from a falling pillar, sacrificing herself. When Hercules was accepted by the Gods in Olympus, she didn’t ask him to stay with her or give it up for her which is pretty noble (or martyr-ish, depending on your point of view). But either way, the sass.

8. POCAHONTAS (POCAHONTAS)

The only reason she’s number 8 is because we have a lot more to go. She was awesome. Strong, courageous, wise, unafraid to be scared (which is hard work!) and she saved hundreds of lives. Girl power. (Could you imagine her as a Spice Girl? She’d be like, Nature Spice or something, which sounds like a really pleasant cup of tea.)

7. ALICE (ALICE IN WONDERLAND)

The drugs, the curiosity, the adventure. Alice was awesome. There was no prince, no saving necessary, just a girl exploring a world that must have had LSD in its water supply. Alice went with the flow, and yes while she may have gotten frustrated and homesick, she figured it all out her damn self. (With the help of some colorful friends. Literally, colorful. Cheshire Cat, anyone?)

6. JASMINE (ALADDIN)

Eight words: “I am not a prize to be won.”

5. KIDA (ATLANTIS)

A badass [ethnic] princess from a long forgotten underwater kingdom with shocking amounts of wisdom, awesome fighting skills and hair that I would kill to pull off. Kida was not named one of Disney’s Princesses because ATLANTIS was not a musical, but that doesn’t change the fact that she became a goddamn Queen. Quite literally.

4. MERIDA (BRAVE)

Merida is my spirit animal. She’s strong, tough as nails, refuses to be anyone other than herself, a killer archer, and the hair. Only reason she isn’t one of the top three is because she was a bit of a brat to her mom. Sure, teen angst, blah blah blah, but it took mama getting turned into a bear for her to change her attitude. Stubborn lass, she was.

3. ANNA (FROZEN)

Absolutely the most relatable out of all the women on this list. Anna was full of spunk and life, and Kristen Bell was just perfect to voice her. Even after Elsa turned out to be what she was, Anna would not give up on her. She loved Elsa more than she deserved and would have (and did) do anything to protect her sister.

The last two are really tough to rank. On the one hand we have a warrior who, in a time where everyone was bound by honor, men were required to fight for the emperor and women trained to be silent, Mulan wouldn’t have it. She masqueraded as a man to protect her father, and ended up saving an entire country. On the other hand, we have a loyal and compassionate gypsy, the lowest of all in Parisian society who put everyone else before herself. She fought for the less fortunate, the outcasts, and the minorities to be treated equally. Mulan had to fight as a man and ended up changing her place in the world, but Esmeralda chose to fight as herself for everyone else. For that I rank them:

2. MULAN (MULAN)

1. ESMERALDA (THE HUNCHBACK OF NOTRE DAME)

Honestly I’ve got no words of wisdom or closing remarks about this list. It’s always hard to rank your favorites because you want to see the best in them – that’s why they’re your favorites. But admitting their faults and loving them all the same is ok, too. (read: Sound advice in life.)

*Also: Anastasia was not included in this list because she was not Disney, she was 20th Century Fox. Haters.

Like GRIMM, I’ve been hanging onto ONCE UPON A TIME out of habit, and kind of hating myself for still watching it. When OUAT first came on the air, I was forced to watch it for work, but quickly, I was surprised by how much I liked it, despite its abundant flaws. The first season was great, introducing a world with near limitless potential, a slew of great characters and actors (and more mediocre ones).

As it progressed, the flaws grew more noticeable, the bumps and bruises more prevalent than the fucking happy ending that we have to hear about every 30 seconds. There were no stakes: death proved more frivolous and less permanent than something out of a 1990’s comicbook, and none of the characters had anything to lose…because OUAT would always revert back to its same formula, with the Evil Queen evil again, Emma stubborn and un-believing, Snow and Prince Charming painfully in love but without any chemistry to show for it (yet they’re married in real life, go figure), and Henry bogging down the narrative with Project Give Me a Break.

The third season shaved off the fat and sent the main cadre of heroes and villains to Neverland to deal with a Big Bad Peter Pan, a fantastic idea that they never fully capitalized on. But, the show was trying to muck with the formula, and threatening to up the ante. They killed off Rumpelstiltskin, a risky move that was hard to fathom being permanent, since Robert Carlyle is the best part of the show.

They came closer with Zelena and the Wicked Witch storyline, thanks to a maliciously game Rebecca Mader (LOST). Rumpel was of course brought back to life…but it came with a price: his son’s life. It was heartbreaking, heroic on Neal/Baelfire’s part, and made us pay for having Rumpel back. All of a sudden, in a show that constantly harped on about magic requiring a price, OUAT was starting to pay it.

The Evil Queen’s journey to redemption has been fantastic, and her finding true love (again) with Robin Hood was one of the more pleasurable subplots of the latter half of the third season, as SHE was the savior, and not Emma, against Zelena. While the Robin Hood love story was forced, it all worked, because Lana Parilla’s the best, and we somehow want to root for her, even though they’ve gone back and forth on her being evil, kinda good, antihero, and all the shades inbetween.

In the two part, two hour finale, that is a madcap time travel adventure that I loved, despite its logic leaps, Emma saves a woman from certain death, something that would irrevocably change the future. That woman turned out to be Marian (Christie Laing), Robin Hood’s deceased love. Right when Regina is truly happy, and has Robin Hood, OUAT throws one of its best curveballs ever, bringing back Robin’s first true love back from the dead. The twist was brilliant (and since we’ve never seen Marian dead, it’s the good kind of death reversal), and totally caught me off-guard, and I’ve never felt more for Regina…but I hope that this doesn’t serve to reset Regina back into Evil Queen mode, rinse, and repeat. The head writers and creators, Adam Horowitz and Edward Kitsis, claim that this won’t be the case, and I believe them. This isn’t the same Regina that swore vengeance on Snow White, even if the parallels with her daughter are there. It could devolve back into that…and if it does, I probably will stop watching OUAT. But I’m more optimistic for the show’s future than I have been since the awesome end of season 1.

Another wonderful thing that happened in the finale was Emma and Captain Hook-ing up, which has been a long time coming. Hook has been one of the consistently great things in OUAT since Colin O’Donoghue appeared, and they earned this moment. I’m sure it’ll go to shit immediately, but for now, yay.

But, what everyone talked about with the finale came in the final moments. Marian isn’t the only thing that came back from the past with Emma and Hook.

Yup. Elsa is coming to ONCE UPON A TIME, less than a year after the movie came out in theaters, an unheard of and incredible turnaround. This entrance brought with it a million questions (will Idina Menzel reprise the role? Is Anna coming along for the ride, and would Kristen Bell be into it? Is Elsa a villain? Is she going to be another long lost relative in this convoluted, silly family Storybrooke tree? Are we going to see Arendale?), and because FROZEN is a behemoth, likely has promised the show its best ratings ever with its fourth season premiere, when we start to get some answers.

Until then, I’m just going to take solace in the fact that I care about ONCE UPON A TIME again, and since FROZEN is probably the biggest property that Disney owns (non-Marvel division), they’ll likely be very hands on in making sure ABC and the OUAT writers don’t muck it up. See ya in September.